It is said that a Masonic Lodge meeting consists of old guys arguing about nothing important for an hour, then repeating it all over again at the next meeting.
In some Lodges, there may be a bit of truth behind that cynicism. But it certainly can’t describe all Lodges through time immemorial. Let’s take, for example, a gala night organised by a Lodge in California in 1933.

This wasn’t a great time for Masonry. Lodges were regretfully suspending members who wanted to pay dues, but had little income for luxuries like a fraternity. But it was a great time for a new industry—radio. It started with amateurish, unpaid local talent in the 1920s, but sponsorship soon allowed stations to pay bigger names to come on the airwaves. Stations joined together to form networks and the pooled resources started attracting the top names of dying vaudeville.
And so it was someone got the idea of combining Masonry and radio in a big extravaganza to help those who were trying to live day-to-day in a Depression. A committee was formed in Eagle Rock Lodge in Los Angeles to organise a Radio Artists Revue, featuring the top talent in local radio, with money going to Masonic charities.
A little more involved than endless discussions about what kind of food to have at meetings, isn’t it?
A squib appeared in the Los Angeles Times of October 26, 1933, announcing the Revue would be held at the Shrine Auditorium on Saturday, November 4. On the 29th, the paper revealed stars from almost every station had agreed to take part. On the 1st, the Times announced Masonic orders from cities of Southern California would be sending delegates. The following day, the paper mentioned obsolete radio sets were being exchanged for tickets.
Here’s what the paper wrote on the day of the event:
MASONS OFFER REVUE IN SHRINE
Eagle Rock Lodge's Program Will Not Be Broadcast
Headliners of Ether Waves to Appear "in Person" BY CARROLL NYE
An imposing array of radio stars will congregate at Shrine Auditorium this evening to present the Radio Artists Revue of 1933 under the auspices of the Eagle Rock Masonic Lodge. Naylor Rogers is, chairman of the affair, Tom Brenneman [sic], vice-chairman, and J. Howard Johnson, production manager. Among the on the bill are Raymond Paige, Charlie Hamp, Calmon Luboviski, Claire Mellonino, Elvia Allman, Helen Guest, Jose Arias, Lawrence King, Joseph Diskay, members of the Happy Go Lucky Gang, stars of the Gilmore Circus, and many others.
CHARITIES AIDED
Proceeds will be used for Masonic charities. The event will not be broadcast. Raymond Paige is the headliner of the current N.R.A. Radio Show which originates at KHJ and is broadcast by all stations at 9 p.m.
You may be wondering where all the “stars” are. When you think of the Golden Days of Radio, you think of Jack Benny, Burns and Allen, Fibber McGee and Molly, Amos and Andy and so on. Remember this was 1933 and the big stars were still in New York and Chicago; the cost of broadcasting from California in those phone-circuit days was prohibitive. But the names you see were among the cream of L.A. radio. To fill you in about some of them:
• Naylor Rogers was the vice-president and General Manager of KNX.
• Charlie Hamp and his ‘One Man Show’ appeared on KNX.
• Calmon Luboviski (violinist) and Claire Mellonino (pianist) had a concert music show on KNX.
• Helen Guest was a pianist on KFI.
•
José Arias led a Mexican orchestra known as “The Spanish Serenaders.”
• Lawrence King, tenor, was nicknamed “The Romeo of Song” on KNX.
•
Joseph Diskay was billed as a Hungarian tenor on KNX.
• The Happy Go Lucky Gang appeared on KHJ.

Three names on the list I recognise, and one of them should be familiar even if you don’t know the name.
Raymond Paige was one of a number of orchestra leaders in the 1930s who had a late-night network music show. He began his career as an usher at the Los Angeles Philharmonic and later became its conductor. He led the Pittsburgh Symphony and was musical director at Radio City Music Hall in New York when he died in 1965. I haven’t found out if he was a Freemason.

At one time, there was a quintessential morning show called
Don McNeill’s Breakfast Club. But before Don McNeill, there was Tom Breneman, who had a morning programme on the fledgling ABC network. He started in Los Angeles radio in 1927 and at the time of the benefit, he had just moved over to KFWB. Breneman’s
Breakfast at Sardi’s began in 1941; he opened his own restaurant across from the ABC studios four years later and moved his show there. He was a favourite of housewives and joked about their hats on the air as he put on a goofy one for his audience (yeah, I know, who’d see it on radio?). Breneman was a Mason; newspaper stories mention he received a Masonic funeral when he died of a heart attack in 1948, only age 46. Breneman may not be famous today, but he certainly was at the time of death. Among his honorary pallbearers were some of the top names in radio, including Jack Benny, Bob Hope and Jimmy Durante.

But my favourite name on the list is that of Elvia Allman. She had begun her radio career in 1926 and her ability at dialects quickly led her to bigger and bigger things. She was one of a handful of character actresses who made their way around all the comedy shows, playing regular characters on some of them. Allman’s distinctive voice could be heard as man-hungry Cobina on
The Bob Hope Show and she appeared with, well, with seemingly all the top comedians. She went into television and was in one of the most famous comedy scenes in the Golden Age of Television as the foreman of a candy making assembly line shouting at Lucy and Ethel as they made chocolates. I first saw her as Elverna Bradshaw on
The Beverly Hillbillies and could recognise her voice when I was a kid. I was easily able to hear her in cartoons like ‘I Wanna Be a Sailor’ as the mother parrot and, as it turns out, she lent her voice to a number of Warner Bros. cartoons in the mid 1930s and later at Disney.
Her involvement in this radio revue made me wonder if she was possibly a member of the Eastern Star. Lo and behold, her marker at the crematorium where her remains were placed looks like this (courtesy of findagrave.com):

So there’s some kind of Masonic connection in her family. Which is cool, because I still laugh at her work. And it’s neat when other interests (cartoons and old radio shows) intersect with Freemasonry. Incidentally, she wasn’t married to Baylor when she appeared in the Revue; he was her third husband.
There’s no follow-up story in the Times to say if the event was a success and how much it raised; perhaps that can be found in the Grand Lodge of California proceedings of the day.
One wonders whether Lodge members could, or would, organise such an event today. After all, so much time is spent in Lodge these days discussing more important things than charity. Right?